डॉ. बी. आर. अम्बेडकर विश्वविद्यालय दिल्ली 
| Course Type | Course Code | No. Of Credits |
|---|---|---|
| Discipline Core | SCC1VA113 | 2 |
1. Does the course connect to, build on or overlap with any other courses offered in AUD?
Yes. The course builds upon the basic drawing and design skills developed in the Foundation Semester and complements courses such as Drawing–II, Composition–II, Design & Digital Media–II, and Visual Arts Studio Practice. It introduces students to relief printmaking processes that expand their understanding of image reproduction, craftsmanship, and creative experimentation without overlapping with the learning outcomes of other studio courses.
2. Specific requirements on the part of students who can be admitted to this course: None (Pre-requisites; prior knowledge level; any others – please specify)
There are no mandatory prerequisites apart from enrolment in the Bachelor of Visual Art programme. Basic drawing skills and familiarity with visual composition are desirable.
3. No. of students to be admitted (with justification if lower than usual cohort size is proposed):
Usual cohort size as approved for the Bachelor of Visual Arts (BVA) programme.
4. Course scheduling (semester; semester-long/half-semester course; workshop mode; seminar mode; any other – please specify):
Semester-long, Mode: Theory and Studio-based Practical Course
5. How does the course link with the vision of AUD?
The course aligns with the vision of Ambedkar University Delhi by encouraging creativity, critical inquiry, craftsmanship, and interdisciplinary learning. Through traditional relief printmaking techniques, students develop an appreciation of material processes, artistic experimentation, and visual communication. The course promotes reflective studio practice while preserving traditional printmaking techniques within a contemporary art education framework.
6.How does the course link with the specific programme(s) where it is being offered?
Printmaking–II is a core practical course of the Bachelor of Visual Art programme. It introduces students to relief printmaking methods including linoleum and woodcut printing. The course develops technical competence, observational ability, and creative problem-solving, providing a foundation for advanced printmaking and interdisciplinary visual practices in later semesters.
Course Description:
Printmaking–II is a foundation-level practical course designed to introduce students to the principles and techniques of relief printmaking. The course focuses on developing technical skills in linoleum block printing and woodcut while encouraging creative exploration through image reproduction. Students will learn the complete printmaking process, including block preparation, carving, inking, printing, and presentation. The course strengthens visual thinking, craftsmanship, and an understanding of positive and negative space through studio-based practice
Course Objectives:
The course aims to enable students to:
- Understand the history and fundamentals of relief printmaking.
- Develop technical skills in linoleum block and woodcut printing.
- Learn the safe and effective use of printmaking tools and materials.
- Apply principles of composition, texture, line, and contrast in printmaking.
- Produce original relief prints through creative experimentation.
- Develop professional studio practice, documentation, and portfolio presentation skills.
Course Outcomes: At the end of the course students will be able to:
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CO1 |
Explain the fundamental principles and processes of relief printmaking. |
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CO2 |
Demonstrate proficiency in using printmaking tools and materials safely and effectively. |
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CO3 |
Create linoleum block and woodcut prints using appropriate carving and printing techniques. |
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CO4 |
Apply concepts of positive and negative space, texture, line, and contrast in relief prints. |
|
CO5 |
Develop original print compositions that reflect technical competence and creative expression. |
|
CO6 |
Present a well-organised portfolio demonstrating understanding of printmaking processes and studio practice. |
Modules and Readings
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Module 1 (Lecture Hours Weeks 1–4)
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Module Name: Introduction to Linoleum Block Printing: Tools and Techniques This module introduces students to the fundamentals of relief printmaking through linoleum block printing. Students will become familiar with the history of relief printing, different printmaking tools, safety measures, block preparation, image transfer, and carving techniques. Practical exercises will focus on developing control over line, texture, positive and negative space, and basic printing methods.
Suggested Readings (with page numbers) Ross, John, Romano, Clare & Ross, Tim. The Complete Printmaker. pp. 22–58 Grabowski, Beth & Fick, Bill. Printmaking: A Complete Guide to Materials and Processes. pp. 18–46 Gascoigne, Bamber. How to Identify Prints. pp. 30–52 Suggested Readings Heller, Jules. Printmaking Today. pp. 40–65 Griffiths, Antony. Prints and Printmaking: An Introduction to the History and Techniques. pp. 25–58 Hayter, S. W. New Ways of Gravure. Selected Chapters.
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Module 2 (Lecture Hours Weeks 5–7) |
Module Name: Woodcut Printing: Carving Techniques and Black & White Prints This module introduces students to the traditional technique of woodcut printmaking. Students will learn the preparation of wooden blocks, safe handling of carving tools, image transfer, carving methods, inking, and printing. Emphasis will be placed on creating expressive black-and-white prints while understanding texture, tonal contrast, composition, and the relationship between positive and negative space. Suggested Readings (with page numbers) Ross, John, Romano, Clare & Ross, Tim. The Complete Printmaker. pp. 60–96 Grabowski, Beth & Fick, Bill. Printmaking: A Complete Guide to Materials and Processes. pp. 48–78 Ivins, William M. Prints and Visual Communication. pp. 41–72 Suggested Readings Griffiths, Antony. Prints and Printmaking: An Introduction to the History and Techniques. pp. 61–92 Chamberlain, Walter. The Thames and Hudson Manual of Woodcut Printing and Related Techniques. Selected Chapters Hayter, S. W. New Ways of Gravure. Selected Chapters |
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Module 3 (Lecture Hours Weeks 8–11) |
Module Name: Print Production, Portfolio Development and Viva Voce This module focuses on the completion, presentation, and evaluation of relief printmaking projects. Students will produce a final portfolio demonstrating proficiency in linoleum block and woodcut printing techniques. The module also includes print finishing, documentation, mounting, reflective discussion, and viva voce to assess conceptual understanding, technical skills, and creative development. Suggested Readings (with page numbers) Ross, John, Romano, Clare & Ross, Tim. The Complete Printmaker. pp. 98–120 Grabowski, Beth & Fick, Bill. Printmaking: A Complete Guide to Materials and Processes. pp. 80–108 Gascoigne, Bamber. How to Identify Prints. pp. 90–116 Suggested Readings Griffiths, Antony. Prints and Printmaking. pp. 95–120 Heller, Jules. Printmaking Today. Selected Chapters Museum and Gallery Print Collection Catalogues (Recommended |